THIS PAGE: LOTS 1 - 35 (Live Auction)
LOT 1REG MOMBASSA
Carbone with gums and koala with hand-knitted gimp mask 2019
Charcoal and coloured pencil on paper.
36cm by 53.5cm
LOT 2JANET LAURENCE
Tarkine for a World in Need of Wilderness 2018/19
Dye sublimation print on brushed aluminium. Single work from an edition of 3 and 1 A.P.
100cm by 30cm
Represented by Dominik Mersch Gallery, Sydney and Arc One Gallery, Melbourne.
“Trees for me are the great signals of change," Laurence says. "Yet we are still land clearing in a dry country like Australia, despite crippling drought and the knowledge that we should do the opposite: that we need to regenerate this planet.”
LOT 3LEILA JEFFREYS
‘REX’ BAUDIN’S COCKATOO - EDITION 4 OF 12 2016
Photograph on archival fibre based rag paper.
122cm by 89cm
Represented by the Olsen Gallery, Sydney.
“There exists a symbiotic relationship between birds and trees. Their survival depends on each other. We depend on them. I hope my artworks serve as a visual reminder to leave wild places for these other societies to enjoy, as well as our own.”
LOT 4LUKE SCIBERRAS
Sulphur Crest, Katherine 2015
Oil on board.
61cm x 83.5cm (painting) 64cm x 87cm (frame)
Represented by King Street Gallery on William.
LOT 5DAVID MCKAY
Angophora 2019
Acrylic on fibreglass & resin (Recycled hard rubbish).
200cm by 60cm
LOT 6ADRIENNE DOIG
Koalas and Me 2019
Mixed media (recycled materials, applique, embroidery, paint, fabric).
65cm by 58cm
Thank you Phil Spark Metal, Martin Browne Contemporary.
“I’m wild about wildlife!”
LOT 7DAVID MOORE (1927-2003)
Sydney Harbour from 16,000 feet – 1966
Printed on archival fibre-base paper, selenium-toned and titled, signed, dated, blind stamped by David Moore’s daughter, Lisa Moore.
40.7cm by 28.5cm (image), 61.5cm by 47.5cm (frame)
Thank you Sandy Barnard at Sandyprints for printing and Ivan at Raymond's Framing Naremburn for framing.
“...almost as if the drowned valley was filled with shining mercury” — David Moore
LOT 8EMMA WALKER
Intimate Immensity IV 2015
Oil and acrylic on carved board.
122cm by 150cm
Courtesy of Arthouse Gallery, Sydney.
“The intricacies and complexities of the natural world are an unending source of inspiration. A powerful and beautiful thing to understand, is that we humans are a part of that natural world, part of that beautiful set of intricate and connected systems. To care for nature is to care for ourselves.”
LOT 9HENRY CURCHOD
That Serpentine Road to Dorrigo 2017
Oil on canvas.
198cm by 122cm
LOT 10GERRY WEDD
Bowie Vase: The Man Who Fell to Earth 2018
Ceramic portrait with gold kintsugi.
40.5cm by 20.0cm
LOT 11DANIE MELLOR
Natura Pacifica (balan dambun) 2018
Chromogenic print on metallic Kodak Endura, edition of 3 + 2 A/P.
Ø 90cm
LOT 12NIGEL MILSOM
Judo-House Pt: 8 (a perfect light) 2019
Oil on Belgium linen.
35cm by 29cm
Image is courtesy of Yuill/Crowley Gallery, Sydney.
LOT 13ELISABETH CUMMINGS
Arkaroola Morning 2009
Etching 11/25 Edition.
Image: 33x49.5cm, Sheet: 48x63cm
Represented by King Street Gallery on William.
LOT 14TOM CARMENT
Through the mangroves, Mooney Mooney 2017
Gouache on paper.
38cm by 51cm
Courtesy of King Street Gallery on William.
LOT 15LISA BLACK
Tete Lotus Earrings 2019
Very unusual Tete seeds, originally part of a Tete ceremonial ornament from Papua New Guinea. Hanging from a custom made 22k gold lotus flower post with a Japanese akoya pearl feature, and a cluster of akoya pearls below the Tete seed. Finished with our signature 22k gold detailing.
45mm (length)
LOT 16KATI WATSON
Pedestal bowls: Waiting 2016, Bowl: Landscape Series, 2019
3 Stoneware bowls.
Group Dimensions: 60cm x 70cm x 25cm
Represented by Utopia Art, Sydney.
“Art makes nothing happen in a way that makes something happen.” – Ali Smith
“It’s all about protecting our sacred lands and learning from our First Nations peoples what we should be doing to protect our lands.”
LOT 18PIPPIN DRYSDALE
Black Rock Series IV 2019
Porcelain incised with coloured glazes.
19cm by Ø 21.5
Represented in Sydney by Sabbia Gallery.
LOT 19DEREK HENDERSON
Lady Bowen Falls, Milford Sound, New Zealand 2019
Chromogenic analog print. Edition of 5 plus 2 artists proofs.
1200mm by 1000mm
derekhenderson.net, @derekhendersonphoto
Represented by M.A.P. and Michael Reid Gallery.
LOT 20PETER KINGSTON
From Admiralty House 19/20 2012
Sugar lift etching.
34.5cm x 41cm (image) 80 cm x 66cm (frame)
Represented by Australian Galleries.
LOT 21ADRIENNE GAHA
Garden of Eden 2018
Oil on canvas.
34cm by 33cm
LOT 22ZOE YOUNG
Wombat Walk 2019
Oil on birchwood.
41cm by 41cm
zoeyoung.com.au, @zoeoliviayoung
Represented by Olsen Gallery, Sydney.
LOT 23ROBERT MOORE
Cattle on Road 2018
Artists Book. 16 pages. Pigment and acrylic binder on paper.
40cm by 51cm
NOTE FROM THE ARTIST: I like it that there is no estimate and I think bidding should start at $2.99 with the tagline “Bob art, cheap as chips…”
LOT 24HUGH STEWART
Flowers & Bone 2016
Photograph. Inkjet print on archival paper.
96cm by 120cm (image), 112cm by 137cm (paper)
Thank you Selena Simpson at SUNSTUDIOS for printing.
LOT 25SAVANHDARY VONGPOOTHORN
Timbre III 2005
Colour etching, T/P 4/4.
34.5cm by 29.5cm
Printed by Viridian Press, Melbourne and Canberra.
LOT 26ANN THOMSON
Rainforest 2017
Gouache work on paper.
50cm x 35cm (painting) 66cm x 50cm (frame)
"I have recently spent time in Newhaven, Central Australia to help raise money for the Australian Wildlife Conservancy; This painting reflects the rainforest, which was owned by Burt Flugelman and is now a protected rainforest."
LOT 28LOTTIE CONSALVO
And the Time Waited (2) 2018
Acrylic on board.
80cm x 61cm
Represented by Dominik Mersch Gallery, Sydney.
LOT 29PETER O’DOHERTY
Green Garage Doors 2019
Acrylic on canvas.
35cm by 35cm
LOT 30AMANDA PENROSE HART
Moonee Beach 2017
Oil on linen on board.
38cm by 51cm
Represented by King Street Gallery on William.
LOT 31TIM MAGUIRE
Golden Tulip 15/40 2015
Polymer Intaglio
70cm by 75cm (image), 70cm x 88.5cm (frame)
Courtesy of Martin Browne Contemporary, Sydney.
LOT 33JOAN ROSS
I'm always watching you 2019
Ink and acrylic on paper
51cm x 38cm
LOT 34HEATH FRANCO
DESKAT 2013
Archival inkjet print on cotton rag, edition 3/6 +2AP
28cm x 42cm
vimeo.com/heathfranco, @heathfranco
Courtesy of the artist.
LOT 35CHRIS DE ROSA
she collects the beautiful things : turbulent nature 2018
Etching, digital inkjet print, pigment stain, perforated Magnani paper, pu foam, glazed earthware, on Somerset paper
112cm x 76cm
“For all at last return to the sea - to Oceanus, the ocean river, like the ever- flowing stream of time, the beginning and the end.”
– Rachel Carson